
The L-plan from straight up
Bedroom wing, living bar and pool court reading as one figure from directly overhead, neighbours close on either side.
Mid-century-modern homes imagined for one real family โ two adults, two kids, and Fisher the dog โ and priced to actually build. Every home reworks a famous MCM icon into wood-frame Kelowna reality: the three rigs garaged, the four-season gear on a spine to the door, a pool in the backyard, and an honest line-item budget landing at $1.5โ1.7M all-in, land included.
Dreams with a build path. ¼C Modern turns the look into real floor plans, specs, and open-book Okanagan budgets, plus a clean vehicle to actually build one.

Bedroom wing, living bar and pool court reading as one figure from directly overhead, neighbours close on either side.

The house steps down the bank to a private dock, the lap pool lit between deck and lake at last light.

The long low roofline wrapped by water on three sides, every room lit, the pool a warm slot at the tip.

Snow all the way to the shoreline, the house and cleared deck the only warm thing, tracks down to the frozen edge.

Golden larches around the court, the pool bright against them, the valley falling away to the water.

Rooms glowing amber and the pool lit teal, snow still in the shadows, the lake going purple beyond.

The house on its shelf of rock, pool right at the drop, the whole lake turned copper below.

Raised planters and a lap pool stepping down the slope, the rig in the port, the lake filling the far edge.

A private dock and boat off the terraced yard, the house set back under pines, the lake glass-calm.

Several of the plan built along the ridge, each with its own court and view, the lake beyond the last roof.

Two homes reading as folded roof planes and green inner courts, tight to the lane, from directly above.

House, court and pool as one white figure on the parcel, the setback and yard legible from straight up.

A low cedar gable and lit clerestory behind a rock-and-grass yard, the door glowing at the end of the path.

A stacked wood-and-black infill filling its 40 feet, tuck-under garage, xeriscape to the sidewalk.

Vertical cedar and deep glass over a single garage, grasses and a young tree softening the approach.

The plan built along the block, warm windows against the dusk, the lake a band at the end of the road.

The rig under a deep carport, snow banked to the walk, the clerestory lit against a grey sky.

A long low elevation behind native grass, deep eaves and a run of glass, the drive curling in from the right.

The house cantilevered off the rock with the rig in the port, the whole Okanagan opening up past the rail.

A lap pool run right to the drop, the water and the far shore filling everything beyond the coping.

A wide wood deck and pool off the great room, glass folded fully open, the lake a step past the rail.

A glass-and-white pavilion low in the meadow, the rig tucked under, the lake catching the last sun behind.

The living wing thrust out over the slope on slender columns, the lake straight down, pines holding the edge.

A fieldstone core and lit glass wings mirrored in the black pool, the lake going to dusk beyond.

A low crib and a rocker in the corner, wood ceiling overhead, morning light down the glass to the pines.

Twin beds under bright art, a cubby wall of colour, the yard and grasses right outside the glass.

A walnut desk set into the glass corner, the valley for a backdrop, a single lamp for the early dark.

A rack and rings against warm wood, mats on the floor, sliding glass open to the bench and pines.

A stacked washer and dryer in walnut casework, a folding counter, a window to the lavender instead of a wall.

A sports car and a wall of four-season gear behind the glass, terracotta running right out to it.

A lit corridor hung with work, terracotta underfoot, the view waiting at the far end.

A built-in rack of bottles beside the sofa, a single warm globe, the lake going dark past the glass.

A drop screen over a deep sectional, the family piled in, blackout glass and low light.

Floor-to-ceiling walnut shelving and glass jars, a prep counter, terracotta floor off the kitchen.

An espresso setup in a walnut niche, mugs on the shelf, a plant reaching for the window light.

A steel-framed pavilion open to the valley on every side, a lounge chair, the mountains going blue at dusk.

The glass box cantilevered off the rock, warm rooms lit, bunchgrass and pine holding the foreground at last light.

White planes and deep glass over the lap pool, lavender and cedar decking, the lake a band beyond.

The clerestory wing running out to the view, deck and lavender below, first lamps on inside.

Snow on the deck and pool surround, the rooms glowing amber, tracks across white to the glass.

A low gable and carport off the lane, xeriscape and grasses, the rig tucked under deep eaves.

A low bungalow bar behind the lap pool, a bold door, pines closing the far edge.

A single pine and a low bench in gravel, glass walls all around, the house wrapped tight to it.

Coffee at the rail as the valley fog burns off below, the house floating over the inversion.

A sunken conversation lounge around the flame, the pool lit beside it, pines going to shadow.

A cedar play set and cornhole on the lawn, the dog mid-run, the lake bright behind.

String lights over the play set and lawn, the dog out for one more lap, windows warm behind.

Raised cedar beds and a potting bench off the court, the dog on the gravel, greens coming up.

A built-in grill and wood-fired oven beside the pool, counter set, the lake going pink.

Kitchen to living in one open run, the far wall all glass, the lake filling the frame.

A low sofa around the hearth, a steel hood overhead, sliding glass to the dusk pool and lake.

A long low sofa on terracotta, glass to the yard, the cat claiming the warm end.

Four at the walnut table under a single globe, the whole far wall glass to the dark lake.

Globe pendants over the island, a parent and child at work, the glass wall open to the light.

A butcher-block island and full-height pantry, terracotta floor, everything within a step.

Hanging copper and herbs along the walnut, a small window throwing gold across the counter.

A wall of boots and gear on the spine to the door, tiled bench, terracotta ready for wet season.

An open walnut dressing room, folded bins and hung clothes, daylight down the glass end.

A built-in walnut nook with a green cushion, glass on two sides, the valley past the sill.

A low bed in green, walnut shelving, two walls of glass catching the last of the day.

A double walnut vanity and tiled counter, a big window to the pines, warm floor underfoot.

A sunken tub and walk-in shower under wood, winter white framed in the corner window.

One glass room floating on eight white columns, warm within against a deep-blue dusk, mist off the creek.

The full glass box parallel to the water, its lit interior and white slabs mirrored in the still creek.

The two floating travertine steps up to the terrace and the main floor, the white planes in sequence.

The white underside overhead, the row of columns marching away, warm light spilling down between them.

Inside looking out to the dusk meadow: Barcelona chairs, a low daybed, the wood core, one warm floor lamp.

The zone behind the core: a low platform bed, a warm lamp, the glass wrapping the corner to the dusk.

Inside the wood-and-travertine core: a round mirror, a travertine vanity, a glass shower, a blue slot window.

A slim black lap pool holding a mirror of the lit house, loungers, native grasses, mist on the creek.

The terrace with a steel fire bowl, people gathered, native bunchgrass, a gravel path into the meadow.

The same idea value-engineered: a raw galvanized frame, concrete piers, standard glass, a poured deck.

The compact galley in the wood core, glass and dusk meadow beyond the end of the run.

The glazed rear wall glowing over the covered lanai, lanterns lit inside, the house mirrored in the turquoise pool.

The L-plan gables wrapped around the atrium and pool, warm rooms glowing, Okanagan Lake a sliver beyond.

Low cedar gable and deep overhangs, a bold glowing door, the carport wagon, lavender and fieldstone.

Kitchen to dining to living under the beams, a row of paper globes, the whole far wall glass to the pool.

Low sofa and Eames lounge under the paper lantern, walnut credenza, sliding glass open to the dusk pool.

A freestanding brick hearth with a steel hood, a sunken sectional and sheepskin, fire against the blue.

A walnut oval table under a run of Nelson bubble pendants, the glass wall right at your elbow, pool beyond.

Warm walnut cabinets, a butcher-block peninsula and stools, a vintage range, open to the courtyard pool.

A low platform bed, a warm globe lamp, the wood ceiling overhead, glass sliding open to the pool and first stars.

Koenig's 1960 steel and glass pavilion, cantilevered over a University Heights view lot above the city.

Lautner's coffered concrete roof with a rooflight in every coffer, set into a University Heights bench.

Lautner's petal dome, 1968, with the site's own granite left bursting through the floor. University Heights.

Neutra's 1929 cable-hung steel frame, stacked three storeys down a University Heights view lot.

Frey's one room house built around a boulder, 1964, on a Wilden outcrop above the lake.

Kappe's 1967 concrete towers and laminated timber beams, bridging a Wilden cross-slope.

Lautner's 1960 octagon on a single pedestal, with the funicular, on a steep Wilden hillside.

The 1949 black steel frame and colour panel grid, rebuilt on a flat Glenmore family lot.

Ellwood's fine white steel frame and brick end walls, 1958, on a Glenmore family lot.

Breuer's 1951 cable-hung cantilever in cypress and fieldstone, on a flat Glenmore lot.

The 1966 narrow city house, balconies and louvres, filling a 40 foot downtown Kelowna lot.

A Jones and Emmons atrium plan, 1962, on a 40 foot downtown lot between two 1950s bungalows.

Schindler's 1922 tilt-slab walls and courtyard wings, rebuilt on a 40 foot downtown infill lot.

Neutra's 1946 pinwheel plan and louvred gloriette, stepping down a Wilden benchland lot.

Saarinen's 1957 pavilion on cruciform columns, sited on a level Glenmore lot under Dilworth.

Koenig's Bailey House, 1958, floating in its reflecting pools on a 40 foot downtown infill lot.

Wright's 1935 stacked terraces, cantilevered over a creek drop on a Wilden benchland lot.

MLTW's 1965 eaveless cedar sheds, sited on a windward Wilden bench above the lake.

Deaton's 1963 curved white shell, perched on a bare rock knoll in Wilden.

Mies, 1951: one glass room on eight white columns, lifted above a creekside Glenmore yard.

Johnson's 1949 glass box and brick cylinder, sitting on a level Glenmore lot.

Rudolph, 1952: red counterweight balls lifting the flap shutters open on all four walls.

Kahn's 1961 stucco block with its deep T shaped openings, on a 40 foot downtown lot.

Buff and Hensman's 1958 plywood barrel vaults, rebuilt on a 40 foot downtown infill lot.

Ellwood's 1953 steel frame and screened entry court, on a 40 foot downtown Kelowna lot.

Lautner's 1963 sweeping concrete shell and cantilevered drive, on a University Heights bench.

Neutra, 1959: spider leg columns and a reflecting pool, on a University Heights crest.

Seidler's 1950 white box on posts with its mural sun deck, above a University Heights slope.

The Shulman shot, rebuilt: the glass corner lit over the Kelowna grid from a University Heights lot.

Neutra at dusk on a Wilden bench, the pool holding the house, first stars over the mountains.

Neutra, 1956: a deep roof plane over glass, blue hour after rain on a University Heights ridge.

Mies, 1930: the onyx wall lit at dusk behind a retracting glass wall, above the Kelowna bench.

Wright's 1924 textile block temple on a Wilden outcrop, storm light breaking across the face.

Aalto, 1939: birch pole screens and the floating studio, soft mist morning on a Wilden slope.

Niemeyer's 1951 free-form slab curving around the site's own boulder, golden hour through smoke.

Eames and Saarinen, 1949: the quiet steel box, late raking light across a Glenmore lawn.

Le Corbusier, 1931, floating on pilotis over dry Glenmore grass in high summer haze.

Wright's first Usonian, 1937, in first snow on a 40 foot downtown lot. Carport, not garage.

Barragan, 1976: pink, magenta and yellow light behind a blank street wall on a downtown lot.

Wright, 1910: Prairie cantilevers and Roman brick on a downtown corner, wet autumn street.

Libera, 1937: the red block and its great stair, on a rock point above Okanagan Lake.

Utzon, 1972: rough sandstone pavilions and unframed window openings on an Upper Mission bluff.

Venturi, 1964: the split gable and floating lintel, on a Kettle Valley street of porches.

Moore, 1962: a plain barn with two lantern temples inside, doors thrown open, Kettle Valley.

Kahn, 1967: two cypress cubes turned 45 degrees to each other, above Mission Creek.

Wright, 1950: a triangular-module Usonian half buried in the trees on a Lower Mission creek lot.

Gwathmey, 1965: pure cedar solids cut into each other, on a Lower Mission creekside lot.

Gehry, 1978: a plain bungalow left standing and wrapped in raw metal, plywood and chain-link. The infill argument, exactly.

Chareau, 1932: a wall of glass block glowing between two bungalows on a 40 foot downtown lot.

Melnikov, 1929: two white cylinders and a honeycomb of hexagonal windows, downtown in winter.

O'Gorman, 1932: red and blue boxes on pilotis joined by a roof bridge, fenced by living cactus.

Soriano, 1950: the thinnest possible steel frame, built for the photographer, on a Glenmore lot.

Wright, 1937: desert masonry and tilted redwood trusses, rebuilt on a Wilden bench.

Goff, 1955: a stone spiral hung from one mast, pods floating inside, dusk over the lake.

Neutra, 1948: a concrete beam grid running straight out through the glass, Wilden benchland.

Rick Joy, 1999: rammed earth lift lines and weathering steel, set softly on a Wilden slope.

Mies, 1929: onyx and marble planes sliding past each other on a rock shelf over the lake.

Aalto, 1953: fifty brick patterns around a courtyard fire, one square opening cut to the water.

Ando, 1976: a blank concrete wall to the street and an open-air slot cut through the middle.

Shigeru Ban, 1995: two storeys of corner left open behind a billowing white curtain.

Prouve, 1951: bolted aluminium panels and blue glass portholes, dropped on a Glenmore lot.

Murcutt, 1975: two lifted corrugated sheds behind timber louvres, above Mission Creek.

Shinohara, 1966: one pure white pyramid holding a single room, on a Kettle Valley street.

Lautner, 1973: a concrete shell over an open terrace, its water edge meeting the horizon.

Koolhaas, 1998: a dark box floating on one column, cantilevered over a University Heights bench.

Wright, 1921: battered walls and a cast flower frieze, catching low light on a Wilden slope.

Scarpa, 1978: nine banded stone columns under a green roof, pressed into the Wilden hillside.

Schindler, 1926: five concrete frames standing on the shore, the house slung between them.

Le Corbusier, 1952: one small log room at the water. The smallest house on this page.

Ando, 2003: a four metre tower on the rock, its top cube shifted off axis to frame the lake.

Steven Holl, 1988: an exposed timber rib cage stretched low along an Upper Mission shore.

Neutra, 1935: a curved aluminium prow wall and a moat, on a flat Glenmore lot.

Noyes, 1954: two stone-walled pavilions with the outdoors running straight between them.

Herzog and de Meuron, 1997: the child's-drawing house, cast in concrete and lifted on a plinth.

Zumthor, 1986: silvered larch battens at absolute regularity, on a Kettle Valley street.

SANAA, 2005: one house broken into ten white boxes with the garden running between them.

Meier, 1973: five white storeys dropped down a wooded bank straight into Okanagan Lake.

Rietveld, 1924: De Stijl planes and primary lines, hard against a 1950s bungalow downtown.

Lina Bo Bardi, 1951: a glass box on thin blue pilotis with the forest running underneath.

Rudolph, 1953: a slat parasol floating over the whole house and pool, Kettle Valley.

Scharoun, 1933: the nautical white house with its skewed steel sun deck, on a Glenmore lot.

Wright, 1956: a hexagonal-module Usonian in sandstone and cypress, hugging a Wilden crest.

Breuer, 1945: the bi-nuclear plan under a butterfly roof, the family-lot original.

Amancio Williams, 1945: the whole house carried on one concrete arch over Mission Creek.

Ando, 1981: two concrete bars sunk into the slope with a stair running down between them.

Sverre Fehn, 1990: one long stone spine wall across the rock, timber volumes hung off it.

Johnson, 1953: a glass pavilion sitting on a solid stone base cut into the bench.

Gropius, 1938: white boards, glass block and a steel spiral stair, on a street of porches.

Barragan, 1948: the rooftop room open only to the sky. Pink, ochre, white, nothing else.

Fujimoto, 2011: twenty one platforms at twenty one levels, all glass, on a 40 foot lot.

Kenzo Tange, 1953: a light timber house lifted clear of the ground over Mission Creek.

Toyo Ito, 1984: seven aluminium vaults on a light steel lattice over an open courtyard.

Herzog and de Meuron, 1988: a concrete grid infilled with dry-stacked local fieldstone.

an Eichler-lineage home built warm: cedar post-and-beam wrapping an open-air atrium and a Japanese maple, glowing from within — not a cold glass box

a Sea Ranch-lineage cluster of cedar shed-roof forms, rugged and cozy, warm windows over the lake, framed for a fourth wing

a Cliff May-lineage ranch wrapping a private courtyard and pool, deep timber-beam loggia, string lights, wood everywhere

a Koenig-lineage timber pavilion cantilevered over the valley lights, warm cedar and glowing glass, a plunge pool and a framed pad for the next module — not a cold glass box

a low-horizontal Kaufmann-spirit home in warm cedar, a still reflecting pool mirroring the lit rooms, a framed bay waiting for a future wing

a Frey-lineage house built around a giant Okanagan boulder that pierces the roofline, warm timber and wood everywhere, framed to grow

a Saarinen/Miller-spirit warm cedar pavilion over a mirror pond and clipped hedge garden, deep timber loggia, a slab pad set for the next room

a Neutra-lineage low-horizontal home with slender spider-leg steel outriggers reaching past the glass, warm cedar and white stucco, a glowing interior open to the lake, a floating carport and a framed pad already prepped for the next module — not a cold glass box

a Lautner-lineage home under a bold sweeping cantilevered roof of exposed timber beams, warm cedar and white stucco, a glowing fireside great room open to the lake, a floating carport and a framed pad flagged for the next addition — drama built warm, not a cold glass box

a Schindler-lineage home of interlocking volumes, board-formed concrete married to warm redwood, clerestory slot windows and an L-plan wrapping a firepit courtyard, a floating carport and a slab pad flagged as the expandable wing — raw materials, warm rooms, not a cold glass box

an Ellwood-lineage Case Study pavilion of precise exposed steel post-and-beam, the frame infilled with warm cedar and white stucco, floating roof planes over a reflecting-pool entry courtyard, a floating carport and a slab pad marked the future addition site — steel precision built warm, not a cold glass box

a Soriano-lineage light steel-tube pavilion under deep flat roof overhangs, fully glazed garden rooms with native planting spilling in, the frame infilled with warm cedar and white stucco, a floating carport and a slab pad flagged for modular expansion — a transparent garden house built warm, not a cold glass box

a Wexler/Krisel-lineage desert-modern home under a bold folded butterfly roof, clerestory glass under the upswept wings and a decorative breeze-block screen, warm cedar and white stucco, a floating carport and a framed opening + slab pad marked the modular expansion wing — butterfly-roof precision built warm, not a cold glass box

a Harris-lineage redwood post-and-beam home with a low-pitched wide-eave roof and glowing redwood ceilings, warm cedar and white stucco, dropped onto a narrow 45-ft neighbourhood lot between the neighbours, a floating carport and a framed pad for the future wing — an attainable infill build, warm not a cold glass box

a Cliff May-lineage low ranch cluster of connected cedar-clad wings under stepped shed roofs, warm cedar and white stucco, a floating carport and an X-braced framed bay + slab pad for the future wing, dropped onto a narrow 45-ft neighbourhood lot between the neighbours — a warm attainable infill ranch, not a cold glass box

a Breuer-lineage bi-nuclear split-form with a rough fieldstone wall anchoring the low wing and a bold cantilevered cedar box floating over the entry, warm cedar and white stucco, a slatted carport and a framed bay + slab pad for the future wing, dropped onto a narrow 45-ft neighbourhood lot between the neighbours — the cantilever built warm, not a cold glass box

a Rudolph-lineage composition of bold stacked and shifted cedar planes over two storeys with a deep cedar brise-soleil sunscreen across the upper glass, warm cedar and white stucco, a beamed carport and a framed opening + slab pad for the future wing, dropped onto a narrow 45-ft neighbourhood lot between the neighbours — sculptural massing built warm, not a cold glass box

E. Stewart Williams' lesser-known Edris House reimagined in the Okanagan — stacked ledgestone in long horizontal courses, a wide butterfly roof lifting to the lake and vineyards, full-height glass and a stone hearth, built warm with cedar and a floating carport

Albert Frey's lesser-known Frey House II reimagined in the Okanagan — a huge natural boulder pierces the roofline and juts into the glowing living room beside the hearth, a thin flat roof and full-height glass over the lake, built warm with cedar and a floating carport

Walter S. White's lesser-known Miles Bates Wave House reimagined in the Okanagan — a signature undulating sine-wave roof of curved glue-laminated timber rippling over the whole home, warm cedar and full-height glass, a cozy hearth, built warm with a floating carport

John Lautner's lesser-known Garcia House reimagined in the Okanagan — a sweeping curved arched roof lifted on slender angled stilts over the slope, a wall of rainbow coloured-glass panels glowing at dusk, warm cedar and a green-roof carport, built warm over the lake

A. Quincy Jones' lesser-known Sunnylands reimagined in the Okanagan — a broad low pyramidal hipped roof with a glowing clerestory and radiating timber beams, deep overhangs and an open glass pavilion, built warm with cedar and a floating carport

Ray Kappe's lesser-known Kappe Residence reimagined in the Okanagan — split-level stacked redwood platforms and cantilevered glass decks bridging the slope on slender concrete towers, deep timber beams and a glowing hearth over the lake, built warm

Albert Frey's lesser-known Loewy House reimagined in the Okanagan — a swimming pool that flows from the terrace straight through the open glass wall and into the glowing living room, a thin flat roof and a boulder at the water's edge, built warm with cedar and a floating carport

Vladimir Ossipoff's Liljestrand House rebuilt warm on a Kelowna lot, a very deep floating eave with exposed rafters shading a full-width lanai, cedar and white stucco, carport tucked beside

Harwell Hamilton Harris's Weston Havens House brought to Kelowna warm, the upside-down V roof folding into a central valley on exposed redwood trusses, cedar and stucco, carport alongside

Greta Magnusson Grossman's hillside houses rebuilt warm above the lake, a flat-roofed cedar box flying out over the fall on slim steel legs, carport at the uphill end

Harry Seidler's Rose Seidler House as a warm Kelowna build, a cedar box lifted a full storey on pilotis with a long open ramp to the door and the truck parked in the undercroft

Alfred Beadle's Phoenix steel houses warmed for the Okanagan, a slender white post-and-beam grid infilled with cedar, the frame running past the house to roof the carport

Hugh Newell Jacobsen's pavilion villages built warm in cedar, stepped knife-edge gables with no eaves strung together by glass links, the end pavilion left open for the truck, and room to add one more

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cedar-and-white MCM glowing against the pines, the valley lights just below — a starter home framed to add a wing

low-slope roof and clerestory band over the green, carport and pool, room on the pad for the next module

cedar and dark metal over a board-formed base, the truck and Cayenne under the carport, downtown in the distance

lit infinity plunge pool over the marina and downtown lights, a fenced pad already marked for future expansion

charcoal panel and cedar at the forest's edge, an open framed bay waiting for the next room

the whole home glowing warm over the valley lights, lit pool on the deck, built small and honest to grow later

a single-storey MCM on a normal lot, carport and a compact pool, sized to add a wing when the family grows

a just-completed cedar-and-white L-plan with clerestory glass, fresh sod and a stubbed foundation next door ready for the next module

a new two-storey MCM stepping down the hillside, a deck over the valley and a flat pad framed for a future garage wing

a linear Eichler-spirit bungalow with deep eaves and a plunge pool, an open bay where a bedroom module bolts on later

a post-and-beam MCM opening to the green, carport and pool, with a slab pad set aside for a guest module

an efficient two-storey starter box in cedar and charcoal, plunge pool, framed for an accessory suite as the budget allows

a wide low-roof Neutra-spirit home with a floating carport canopy and a pool aimed at the lake, an L-plan built to extend

a warm cedar MCM above the vine rows with the bridge in the distance, a stubbed foundation waiting for the next wing

a brand-new MCM dropped between the old bungalows, plunge pool and a spot framed for a laneway suite, walkable to the lake
$1,596,520truck-and-gear lovers: oversize 3-car + workshop, on cheap land
$1,613,384FLW Usonian โ L-plan hugging a garden, the carport Wright invented
Floor plan · tap to enlarge
the brick-hearth heart — fire burning, cat on the bench, lake beyond
$1,651,346value flat lot = most house + a real 3-car
$1,652,400split-level to zone the kids' wing from the adults'
Floor plan · tap to enlarge
Breuer bi-nuclear wings at dusk — granite chimney, rope swing
$1,660,360warm redwood post-and-beam single-level, rear-yard pool
Floor plan · tap to enlarge
all-redwood living room glowing honey, window seat to a zen garden
$1,673,580value flat lot โ 2,000 ftยฒ, 4-bed, full 3-car
$1,677,790cheapest land, MAX house โ 2,050 ftยฒ, 4-bed, full 3-car
Floor plan · tap to enlarge
$1,679,680cheapest land = biggest house, single-level, 4-bed
$1,692,000Palm Springs tract MCM โ breeze-block, glass, a pool, easy to build
Floor plan · tap to enlarge
butterfly roof over the backyard pool at golden hour, breeze-block screen

post-and-beam with an open-air breezeway connecting the house to a detached 2-car garage
$1,601,228weathered timber + shed roofs that settle into the forest
Floor plan · tap to enlarge
shed roofs at dusk — silvered cedar against a prairie-gold sky, bluff meadow
$1,616,140elegant tall-column entry pavilion with a reflecting-pool entry + rear pool
Floor plan · tap to enlarge
evening — slender white columns, entry reflecting pool, koi shadows
$1,660,000the classic family MCM: post-and-beam with a private central atrium
Floor plan · tap to enlarge

street view — classic post-and-beam tract home, glazed atrium entry


dusk street view — warm atrium glow, family arriving home
$1,663,400warm glass-and-wood walk-out pavilion by the lake, rear pool on the daylight side
Floor plan · tap to enlarge
$1,664,000the Case Study House look โ wood-framed, buildable, an L-pool
Floor plan · tap to enlarge
rear pool terrace at blue hour — steel frame doubled in the water
$1,669,160long low glass-and-stone view bungalow, rear pool on the view side
Floor plan · tap to enlarge
$1,673,468flat lot that fits a house AND a pool (2-car + carport)
Floor plan · tap to enlarge
$1,673,808refined steel-look-in-wood on the heritage lakeshore corridor
Floor plan · tap to enlarge
front view — steel-look-in-wood under mature trees

side/rear private garden courtyard off the kitchen, mature heritage trees
$1,674,448the glass pavilion โ reflecting pool, spider-leg roofline, lake view
Floor plan · tap to enlarge
spider-leg outriggers over the reflecting pool, rose-to-slate dusk
$1,676,740the California courtyard ranch โ long, low, indoor-outdoor
Floor plan · tap to enlarge
board-and-batten courtyard at supper — string lights, kids, the dog
$1,684,260the smart single-level bungalow โ Ellwood-refined, view + plunge pool
Floor plan · tap to enlarge
view-side glazing lit like a vitrine at dusk, vineyard and lake below
$1,689,238clean walk-out on a gentle view bench โ pool in the rear yard, lake view
Floor plan · tap to enlarge
front view — stepped-down cedar and steel massing, mountain backdrop

rear walk-out level and pool with a lake glimpse beyond, family backyard

blackened-cedar box floating over board-formed concrete, backlit conifers, drive threading the walls

charred-cedar cantilever over granite, morning fog and god-rays, breezeway framing the lake


cable-railed walkway bridging to the glass entry, wild-grass roof, chimney smoke at dusk

stepped down the slope, black infinity pool at blue hour, sunken firepit, lake far below

snow-dusted charred cedar, woodsmoke from a black steel flue, warm glass in a cold forest

sliders open to a shaded lap pool, dappled pine light, a wedge of blue lake through the trunks



cedar sauna glowing, black-slate cold-plunge steaming, fairy lights, lake beyond at dusk

cantilevered carport at golden hour — Sierra AT4X, Cayenne, 911, sun shafts through the pines

blue-hour aerial — green roofs among the treetops, infinity pool, Kelowna lights across the lake

October gold — leaf-strewn drive, low raking sun, woodsmoke, pumpkins on the steps

$1,646,820post-and-beam volumes stepping down the slope on concrete piers
Floor plan · tap to enlarge
redwood and glass floating on concrete towers, stepping down the forested slope
$1,676,068single-level flat-roof rancher on pricier near-lake flat land, rear-yard pool
Floor plan · tap to enlarge
$1,682,444the realistic one โ MCM on a normal 50-ft subdivision walk-out lot
Floor plan · tap to enlarge
blue-hour rear pool view, walk-out lower level, real lake-view backdrop
$1,685,908view lot, balanced โ house + carport + a plunge pool

rear walk-out elevation at last light — firepit gathering, lake below
$1,692,824view lot = smaller house, carport for the truck, a plunge pool
$1,693,028the walk-out โ main level up, daylight level down to a pool terrace
Floor plan · tap to enlarge
$1,697,068view lot where the POOL wins โ house + carport shrink to fund it

A Neutra-spirit masterpiece raised above the street on board-formed concrete, a floating stair climbing to the glowing entry and a carport tucked below — warm cedar, steel glass and a low horizontal roofline

An Eichler-spirit post-and-beam home raised above the street with a glowing glazed entry atrium at the top of a floating stair, carport tucked below

Koenig's Case Study House #21 rebuilt modest and attainable, raised above the street on a low concrete wall — a flat-roofed steel-and-glass pavilion, a floating stair up and a carport tucked below

Ellwood's Case Study House #18 as a modest ~$1.2M build raised above the street, precise steel post-and-beam infilled warm with cedar, floating stair and carport below

Killingsworth's serene Case Study House #25 rebuilt modest above the street — a tall slender full-height entry up a floating stair, a small reflecting pool, carport tucked below

The Bass House / Case Study House #20 as a modest build raised above the street, a row of curved plywood barrel-vault domes, warm and attainable, carport below

Kemper Nomland's Case Study House #10 rebuilt as a modest attainable home raised above the street, a low flat roof, warm cedar and glass, floating stair and carport below

Case Study House #22's corner-glass cantilever, rebuilt today over the Okanagan — cedar-plank ceiling, floor-to-ceiling steel glass to the lake and vineyards, an Eames lounge and a stone hearth

Case Study House #8's double-height room with its ladder and colour-block panels, rebuilt today over the Okanagan with warm oak, steel glass to the lake and collected mid-century objects

Koenig's steel-and-glass pavilion and reflecting pool, rebuilt today over the Okanagan — low profile, a wall of steel glass to the lake, an Eames lounge and a floating hearth

Neutra's Kaufmann Desert House glass-and-outrigger living room, rebuilt today over the Okanagan lake with a full-height stone chimney and mid-century furniture

Lautner's organic board-formed concrete and timber great room, rebuilt today over the Okanagan — a soaring cedar ceiling, a wall of glass to the lake, sculptural furniture

Case Study #22 glass-and-steel wing cantilevered over the bluff, turquoise pool wrapping the point, the lake far below at golden hour

a cluster of modern and forest-modern homes stepping down the granite hillside, the waterfront and floating bridge spread out below

modern mid-century builds under the mature chestnut canopy, running right along the City Park beach and marina

flat-roofed lakefront homes with infinity pools and private docks lined along the sandy beach, paddleboarders on calm water

a hillside cluster of contemporary homes terracing down to a swimming beach and marina, the lake stretching south to the city

forest-modern homes tucked into the ponderosa pines, warm windows glowing on as the valley lights come up at blue hour

a Kaufmann-style pinwheel of low wings radiating from the core, long turquoise pool off the glass living wing, raking golden light

Case Study #21 roof plane floating over shallow reflecting-pool moats, mirrored on all sides, warm interior glow at dusk

Ellwood-style steel-and-glass wings wrapping a private central courtyard, ponderosa pines pressing in on the roofs

a Saarinen-style white grid pavilion opening onto a clipped hedge parterre and reflecting pool, an allee of poplars to the lake

a Neutra VDL-style roof deck with its shallow silver reflecting pool and louvered pergola, spider-leg outriggers, lake a block away

a Farnsworth-style white glass box floating on slender columns above a creek and golden grasses, mirrored in a still side-channel at dawn

three stacked terraces of charred cedar and board-formed concrete descending the hillside, a black infinity pool over the drop

an Eichler-style gravel roof opening to a central atrium courtyard and Japanese maple, a kidney pool in the back, Dilworth behind

a charred-cedar cabin dusted white under snow-laden pines, woodsmoke rising from the black flue, warm light on the shovelled path












front made private with landscaping — concrete wall, native grasses, serviceberry screen


cantilevered glass box over the lake, blue-hour cliffside pool

true night — starry sky, glowing lap pool, lake lights below

golden-hour dinner patio — mid-meal, string lights, dog waiting


aerial site layout — bedroom wing, driveway, grade-beam foundation on the slope

ground-level driveway approach — carport, entry, grade beams into the slope


night hero — glass wing cantilevered over the lit pool, Kelowna lights far below

bluff dusk — L-pool lit, lake going pewter below

daylight — the L-plan glass pavilion wrapping the pool

pool terrace at golden hour over Okanagan Lake

aerial — the L wrapping the pool, carport uphill, glass wing over the drop


the Shulman twilight pool shot — film grade, mirror-still water, first stars

long low concrete-and-cedar wing, rooftop gloriette deck, desert planting

open carport — bikes, paddleboard, real gear storage


rooftop gloriette deck at sunset, vineyard and lake views


pinwheel plan — sandstone, aluminum louvers, boulder-lined pool


coffered concrete roof cantilevered over the bluff, infinity pool spilling toward the lake


classic post-and-beam tract home, glazed atrium entry court

same house, three siding colors — cedar / charcoal / white





realistic buildable siding study — three options, real landscaping and context

rear yard — atrium glow, pool, swing set, family backyard


golden hour — plinth glowing amber, doubled in the still pond

white steel-and-glass pavilion raised on a plinth, misty morning

deep winter — snow, half-frozen lake, wood-stove smoke, warm glow inside





rooftop reflecting pool at dusk — butterfly chairs, lake band beyond

three-story stacked massing squeezed onto a real city infill lot

backyard sauna + cold plunge in winter, snow and chimney smoke

dog run + garden shed + raised veg beds

same house, three ways — cedar / white stucco / board-formed concrete







rear/side elevation at dusk, stacked massing lit from inside

full night — the roof plane floating on its moat reflections

steel-frame, reflecting moat pool, wedged between two character homes

backyard pool at golden hour — chaise loungers, pool toys, string lights

xeriscape front yard — no lawn, river-rock swale, ornamental grasses, lavender






updated for privacy — board-formed wall, grasses, birch screen



blue hour — the grid glowing like a Mondrian between character homes



De Stijl color-panel steel grid, double-height glass bay

rear courtyard under a cottonwood tree, De Stijl color-panel facade



golden-hour entry sequence — reflecting pool, muddy shoes, helmet on the hook

white steel corner glass, entry reflecting pool, board-formed concrete wall

rear garden at golden hour — dining pergola, built-in BBQ, family backyard

front street view at golden hour, real Okanagan streetscape

exposed steel grid, walled front courtyard, privacy from the street

mid-autumn — pumpkins on the steps, vineyard hillside turning amber

winter night — snowfall, courtyard glowing, footprints to the gate

sunken conversation-pit fire terrace, xeriscape Okanagan landscaping


updated — vine-covered privacy trellis, carport integrated into roofline

side elevation — steel grid meeting the vine-covered privacy wall


cocoon mode — shutters down at dusk, lamplight leaking at the seams

butterfly shutter panels propped open on steel struts, warm cedar


dusk — glass-block porch glowing like a paper lantern


spring blossom season — crabapple in bloom, orchard hillside behind

vertical white siding, glass-block screened porch, cantilevered bay, spiral stair

front porch entry — glass block, spiral stair to the roof deck



blue hour — colonnade uplighting, dinner being set

fieldstone base, steel-column grid, formal clipped-hedge garden




rear terrace at blue hour — hedge parterre garden, firepit gathering



3-car garage — Sierra AT4X, Cayenne, 911, warm integrated lighting

3-car garage — Sierra AT4X, Cayenne, 911, basketball hoop, street context
